Essential Publishing Terminology

Unless you have previous experience in the print or publishing industries, there are many terms which might be confusing for new independent self publishers. The following information is derived from the Digital Book Printing for Dummies®- just out from the Book Industry Study Group. It is an easy guide designed to help clarify both traditional and new printing terminology.

4-0-0-4: A printing industry specification that indicates a book cover is printed in four colors on the front and back covers with no printing on the inside front and back. 4-1-1-4 indicates four colors on the front and back, with one color (usually black) on the inside front and back covers. Digital books are typically printed 4-0-0-4.


Binding: The process of physically assembling a book from a number of folded or unfolded sheets of paper or other material. It also usually involves attaching covers to the assembled book block. With digital printing, two different binding methods are possible. Also see in-line binding and off-line binding.


Bleed: An image that extends over one or more edges of a page. A full bleed image extends over all the edges of a page, leaving no unprinted gutter (inside) or thumb (outside) margin. Bleeds across gutters (a two-page spread) are not available with digital printing.


Book block: The printed pages of a book, ready for binding.
Case bound: See hardcover.


CMYK (or four-color process printing): Four ink colors- cyan (blue), magenta (red), yellow, and black- build the spectrum of colors. In digital printing, the red, green, and blue (RGB) system used on a computer screen and Pantone Matching System (PMS) ink colors are usually converted to CMYK. This conversion can cause color variation between digitally printed jobs and offset jobs, where PMS colors can be matched.


Coating: An addition during the printing process that protests the ink and reduces scuffing and fingerprinting. Many digitally printed book covers are film laminated rather than UV-coated or varnished. Coatings are applied in two different ways: Spot coatings target one part of the page, such as one color or the text; flood coatings cover the entire page. Coatings can be gloss or matte. Coating options vary by vendor.


Coil bound: A binding method that relies on a metal or plastic coil inserted through holes punched through the pages.


Distribute and print/ distributive printing: Sending a file for a book so that it may be printed as close to the end-user as possible. With digital printing, a U.S. publisher can have books printed by European partners at significant savings in time and freight cost.


Dithering: A process that uses a pattern of dots to create the illusion of colors that aren’t actually available. For example, dots of different red, cream, and white shades might create a pattern the tricks the eye into seeing pink. Halftones, the reproducible images of black and white photos, are produced with dithering; the pattern of interspersed black and white dots create an illusion of different grays.


Dot gain: The tendency for printed dots to be larger than intended, often because of the way ink reacts with paper. If the ink soaks into the paper ( as is typical with newsprint and similar stock) and spreads out, the resulting dot is much larger than intended.


Dots per inch (dpi): A measurement of the resolution of a laser or inkjet printer. A higher dpi creates crisper images and type. Sources differ regarding how dpi compares to lines per inch (lpi). Some printers and designers recommend that images (such as JPEGs and TIFs) be created with a dpi double that of the lpi which the image will be screened for printing. For example, a photo should be created at no less than 600 dpi if it will be screened at 300 lpi. Other sources recommend a much greater difference: 600 dpi for an image that will be used in a newspaper, which often has 85 lpi, or 2400 dpi for an image that will appear in a glossy magazine, which may have 150 to 200 lpi.


Duotone: Image that is screened and then printed in two colors.


Electronic Data Interchange (EDI): Generally speaking, a computer-to-computer exchange of information or documents using standard structure and language, with minimal manual interference. This enables, for instance, automated ordering. For example, a publisher places an order from its inventory or ordering system, the vendor sends an electronic orders acknowledgement and a shipping confirmation, and then usually the print vendor generates a monthly invoice summary and forwards to the publisher.


Gamut: A range, or subset, of colors. When certain colors can’t be displayed within a particular color model, those colors are said to be out of gamut. For example, the pure red contained in the RGB color gamut is out of gamut in the CMYK model and must be converted to an approximate value.


Grain: The way fibers align in paper stock. A sheet of paper more easily curls, folds, and tears in the direction of its grain. To check grain, spray water on one side of a page; it will curl with the grain. Jeanne Drewes of the Library of Congress explains that cross-grain bound materials are often called mouse traps because these books tend to snap shut on their own.


Halftone: To be printer in one color, a continuous tone image such as a black and white photograph must be converted through a line screening process into black or white dots. A higher concentration of black dots results in a darker shade. Also see dithering.


Hardcover (or hardbound): Those books that are encased in a stiff, cloth-covered book board or those that have a printed and laminated paper cover over book board. Typically, the book’s title, author, and publisher names are stamped or printed on the spine. Dust jackets are common for hardcover trade books. A classic hardcover book is called case bound.


Imposition: The process of arranging individual pages on a sheet (traditionally called a flat) so that after they’re printed, folded, and trimmed, the resulting pages back up correctly and are in the proper order. Imposition is an important issue when books are printed in signatures, as in offset lithography or with digital web process.


In-line binding: Available only for paperbacks, the print engine feeds the book block directly to a binding unit, a three-knife trimmer, and then a packing and boxing station.


Inside covers: The reverse sides of the cover. The revers side of the front cover is called the inside of the front cover and the reverse of the back cover is the inside of the back cover. Inside covers are often printed in black ink on mass-market titles. Inside cover printing isn’t always available from digital presses.


Lines per inch (lpi): A measurement of the resolution of a halftone image or line screen. The higher the lpi, the finer the screen and the sharper the image. Sources differ regarding how dots per inch (dpi) compares to lpi; the definition of dots per inch tells you more about common recommendations.


Native file: Book files that remain in the desktop-publishing application in which they were created. Some printers may ask that you submit both native files (for example, QuarkExpress or InDesign) and PDFs.


Non-approval proof: A proof submitted by a printer to a client for information only; the printer doesn’t wait for approval before printing.


Nonreturnable: A product that a customer can’t return for credit.


Off-line binding: The equipment is separate from the press. In most cases, this means a process similar to the manufacture of offset publications: Books are printed on several presses and then moved to a staging area awaiting binding, which can be perfect, saddle-stitched, mechanical, or case bound.


Offset lithography: A photographic printing technique that uses inks carried by rubber rollers called printing blankets, to transfer images for metal plates to paper. To change what the press is printing, the plates have to be physically exchanged. To change ink color, the rollers have to be cleaned.


One-off printing: Printing one book at a time on a digital press. Also called print on demand (POD).


Pages per inch (PPI): The thickness of book paper, or stock, and thus the thickness of a book spine. The higher the number, the more pages per inch, and thus the thinner the spine. PPI varies by type of paper, paper manufacturer, and so on, and digital printers often offer a relatively small selection of text stocks with standard PPIs.


Pantone Matching System (PMS): An ink matching system used to specify exact colors. Most digital color presses use a four-color (CMYK) system and can’t match PMS colors, but inkjet equipment now being developed is expected to make more PMS matches possible.


Paper, printing, and binding (PP&B): A printing industry term that describes the manufacturing costs of a book.


Perfect binding: A type of binding for which a paper cover is glued to a trimmed book block, creating a square (or perfect-bound) spine.


Portable Document Format (PDF): A file format created by Adobe Systems to enable document transfer via e-mail, FTP, or such physical devices as CDs while maintaining readability on any computer that has Adobe’s free Acrobat Reader software regardless of operation system or platform. Generic PDF creation software is now available but isn’t supported by all vendors.


Proof for approval: A proof that requires approval from the publisher before the vendor proceeds with printing or binding.


Resolution: Clarity of type and image, defined by dots per inch―the number of individual dots that can be places within the span of 1 linear inch. A low dpi can cause the printed image to be blurry or blocky.


Returnable: In publishing, books sold to bookstores have traditionally been returnable for credit. At press time, most POD vendors sold only on a nonreturnable basis, although some publishers permit returns.


RGB: Red, green, and blue are the colors used to create images on monitors. RGB images must be converted to CMYK for printing.


Saddle-stitched: Bound with staples at the center fold. Publications with a limited number of pages and many magazines and catalogs are saddle-stitched. Because saddle-stitched publications don’t have a spine, many retailers don’t stock them.


Scanning: Creating an electronic copy of printed text or images.


Sheet-fed (or cut sheet) press: Printing presses that print by using stacks of single sheets. These presses usually print at lower volume, but with higher quality, than web presses.


Short-run printing: Printed off either digital print engines or offset presses, small press runs usually ship to a distribution center.


Signature: A section produced by folding a printed sheet before binding and trimming. (When folded in half, a sheet creates a signature of four pages; when folded in quarters, it produces a signature of eight pages.) Offset sheet-fed presses almost always print signatures in multiples of eight pages, usually 24 or 32. Digital web presses can work with signatures as small as four. Digital presses also create a stack of single pages, printed on both sides.


Soft proof (or e-proof): An electronically transmitted sample of the book, usually provided for approval of the book before it is printed. Soft proofs save time and money over hard copy proofs, as they don’t have to be mailed.


Subsidy press: Also called vanity presses, companies that require authors to pay all the costs of publishing a book. These companies may offer editing by professionals and custom-designed covers. Most subsidy presses, provide no marketing, and the books they print often aren’t accepted by libraries or traditional wholesalers and distributors. Digital vendors and author services companies evolved in part to provide authors with another option for producing small quantities of books at lower costs.


Title metadata: Descriptive information about the product title that is required by the printer, distributor, wholesaler, or online retailer. Information may include ISBN, author, title, page count, trim size, binding style, and text colors.


Trim (or trim size): The height and width of a book. A 5-x-7 inch trim usually measures 7 inches along the spine and 5 inches without the invoice in the box.


Unit cost: The manufacturing cost of a book, not including the design, compensation to the author, or any publisher’s overhead such as editing or layout and design or distribution and storage costs.

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We Asked, You Answered

Taking your first steps to be a self-publishing author can be quite a bit of work. In an effort to improve our service model, we constructed a questionnaire in order to reach out and get a feel from our veteran clients' experiences. The answers we received were not only well written but very insightful. Thankfully, we learned that book publishing was a positive experience for you, with over 98.3% of you responding that you were happy that you published your books. We're glad to hear it and promise to strive to ensure your continued happiness by strengthening our services and listening to your concerns, requests and ideas.






Book Printing
From the responses received, we were astonished with the large quantity of initial book printing runs. 29.9% indicated that their initial print run was over 1,000 books and the average number of books sold was 2,500. Two of our clients indicated that they have sold more than 40,000 books each!






Note: Only 59% of respondents indicated they planned on providing their publication as an ebook.

Key Concern: Marketing
One of the important things we've learned from you is your method for selling. Most of you answered that selling direct to customers is your most effective method; local bookstores coming in a distant second. This might be directly influenced by your promotion methods which included hosting local events and book signings as means of generating interest in your writing. In fact more than 71% of you rely on local events/book signings to sell your publications.
Based on your comments, we found that marketing your book was the most prevalent concern.








Challenges and Lessons Learned


“The biggest hurdle is being taken seriously by the big box book stores.”
“Formatting -- I'm still learning tricks of the trade.”
“The personal financial burden.”
“There are many more aspects to publishing than I ever imagined, many things to learn about the business. Without assistance I would still be struggling (my husband did the book design/layout, I hired an editor and illustrator, and my brother-in-law did photography.”
“Getting the right cover was a challenge when dealing with someone far away. Marketing is always a challenge, as is getting the book into bookstores.”
“It's all about getting the book out there to people --Promotion is key and expensive”
“Proofing. Spell check doesn't sea normal words used incorrectly.”
“Once the process of publishing prep, and printing ar mastered, MARKETING is the continuing biggest challenge”
“Difficult to find adequate time to do marketing.”
“As a first time self publisher everything was challenging.”
“Distribution”
“Formatting beyond basic Word document (PDF, etc.)”
“Editing a book is always a challenge. Several people need to go through the book to make sure all errors are noted.”
“Proofing and layout design. Proofing took almost a month. had to hire a person to do it. The design aspectc changed with the software that I was using.”
“Distribution of book”
“Printing and proof reading”

Suggestions
It has always been one of our goals to create a community of independent self publishers who can share experiences and ideas.

Click here to view suggestions from veteran publishers from our survey.

We would like to thank everyone who participated in the survey. If you have any additional comments, please send them to pubserv@barcode-us.com

Global Book Distribution is Coming Soon...

Publisher Services has now provided ISBN assistance and/or book printing to over 12,000 self publishers. We appreciate your business and strive help make your publishing business grow. Bar Code Graphics (the parent company of Publisher Services) is working with Ingram to provide an economical global distribution channel for our clients without disrupting their existing direct to consumer sales.

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Publisher Services Book Cover Design

Now that you've written your book, you need that eye-catching cover to make it stand out to your readers. Publisher Services can provide high quality cover design with a fast turnaround. Just let us know what you'd like on your cover, sit back, and let us do the work for you! You can be as involved as you'd like with our design process. You can find more info about how to get started at http://publisherservices-us.com/coverDesign.html

Below, you can see some of the covers that we have recently designed. Some of these cover images link to the author's website as well.
















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Why use EPS files for digital bar codes?

Publisher Services provides barcode files in .eps format. The reason we do this is to make sure that your bar codes are high enough resolution for printing.


Why can't we provide a .jpg or .tif image? There are two types of computer graphics – raster and vector. The raster graphic is composed of pixels, and vector graphic is composed of drawing paths. It is important to understand the difference between these two types when creating barcode graphic images.

Raster Images
A bitmap is basically an array of pixels with values indicating the color. The bitmap sizes are defined in pixels. BMP, TIF, GIF, JPG, PNG and most other graphics formats are raster graphics. Since the sizes are measured in pixels, the print dimension depends on the resolution of the printer.


Vector Graphics
A vector graphic contains the drawing instructions other than the color value in pixels. For both Mac and Windows platforms, EPS is the most widely used vector graphic format. A critical feature about our EPS files is that the dimension measures are completely based on the output resolution of a printer. To use EPS, you need to have a printer with postscript enabled.

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Google Book Search and You


Originally, Google Books Search was performed under a project known as the Library Project, where books from public libraries were digtized and made available for search. While this does not impact all of our clients, Google has recently proposed a settlement between Google Book Search and the publisher/author subclass. Basically, the argument was this: If Google indexes my book and displays it for free (and search-enabled), isn't this the same as taking my copyrighted work?


The settlement now creates two groups - Book Search and Partner Program. With Book Search, Google scans and indexes books the same as they have done before, usually without contacting rightsholders. These books are primarily in libraries. A book that belongs to a member of the Partner Program, however, cannot be indexed without the permission of one or more rightsholders.


Another thing that the settlement talks about is revenue and royalties. If your book was scanned as part of the "Library Project" phase of Google Book Search without your permission, then you may be owed royalties, and may be eligible to collect royalties later. To see if your book can be claimed, Google lists the following:


Click on "claim books and inserts" at http://www.googlebooksettlement.com/. See the question "How can I find out if my books and Inserts have already been digitized?" in the Google Book Settlement Help Center at http://www.googlebooksettlement.com/help/bin/answer.py?answer=134644. If you have ONIX files, also see the information on "How to Identify and Claim Books Using an ONIX File" at http://www.googlebooksettlement.com/help/bin/answer.py?answer=128054#onix.


The settlement is not approved yet, and until it is, Google will not display any book content, and after the settlement, some book content currently displayed under "Snippet View" will no longer be available in the US.


This is one reason why it's important to register your copyright as soon as possible. Even if your book is made available to search with Google Book Search, your work is still protected from plagiarism and/or unauthorized reproduction. Publisher Services can help you with registering - http://www.publisherservices-us.com/copyright.htm


To find more information about the settlement, you can visit http://www.googlebooksettlement.com/

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Image Advice


All publishers will have to think of a way to jazz up their covers/books to make it more inviting for the reader. In doing so you’ll have to add some sort of graphics like figures, photos, drawings, cartoons, or illustrations.


File Formats/Resolution

The most common and widely accepted image files are: .PSD (Adobe Photoshop), .TIF, .EPS, .JPEG, .PDF (Adobe Acrobat file), .AI (Adobe Illustrator file).


Regardless of what file format you are working with it is a must you keep a high resolution, which is to say 300 pixels per inch (aka dpi) or greater. An image is not high resolution if it was originally a low resolution and then resized to force the resolution to 300 dpi. These techniques will not improve the quality of your image – and may make it poorer. Printing low resolution images does make a difference and it will show.


If you want to incorporate your own image that exists only in hard copy, try scanning them, but make sure they are scanned at 1200 dpi. If you are uncertain of your scanning capabilities, have the scanning professionally done.


Finding Images- Image Rights/Credits

Popular stock image sources: shutterstock.com, gettyimages.com, veer.com.


Just like most artwork, images are copyrighted. You can’t use an image that’s not in a public domain unless you get permission. Don’t try to scan images from other publications without getting the right to use the image from the copyright holders. If an image you wish to use is in a public domain you can use it without getting permission but always make sure to credit the original source of the particular image. One way to credit you source is to include a credit section at the back of your book that lists the images by page with corresponding credit information. Another approach is using a source line for each image, usually close to the presentation of the image in the text. When you gain rights to use an image, the rights holder will inform you how to credit the image.


Purchasing a “royalty free” photo means you can pretty much do anything with it. On the other hand, you have “rights managed” photos that are notably pricey to purchase and come with firm usage rules and restrictions. Keep all records of information you receive regarding the use of an image when you acquire permission.


By taking these steps you should end up with stunning printed images and a happy printer!

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The importance of proofing!



Proofing is often a very overlooked step in the book printing process. This isn't to say that it's not important - it's probably the most important step of printing.

Publisher Services' book printing uses two levels of proofing - the soft proof and the hard proof. The soft proof is made up of a print-ready PDF, which will be the same file we will use to print your book. It's important to carefully read over your entire proof, several times even, because at this point, you can make edits and changes to your book with no cost.

The hard proof is an actual copy of your book - Publisher Services provides a fully bound book for your review. Even though changes at this point will require a reformatting fee (which is standard for all printers), it's important to look through the book very finely as well to make sure the printing is correct. Some questions to ask yourself about your hard proof are:

  • Are all the fonts rendered properly?
  • Is the color on the cover correct?
  • Is the cover text readable?
  • Do the pages line up the way I want them?

Remember, your printer provides proofs for a reason - to save you money and make your product look as good as it can - so make sure to take advantage of them!

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